Analogue Consoles | Digital Consoles | Main Speakers | Line Arrays | Monitor Speakers | Subwoofers | General Use Speakers | In-Ear Monitors | Amplifiers | Dynamic Processing | Equalization | Effects Processing | System Processing | Input Devices | Wireless Input Devices | Capsules for Wireless | AC Distribution Systems | Analogue "Copper" Snakes | Digital Snakes | Recording & Playback Devices
ANALOGUE CONSOLES
Crest X-Eight 24
Midas Heritage 3000 52ch
Midas Venice 160
Midas Venice 320
Midas XL4 52ch
Midas XL88
Ramsa 840
Ramsa SX-1
Yamaha PM4000
DIGITAL CONSOLES
Digidesign Venue Profile
Digidesign Venue SC48
PreSonus Studiolive 16.4.2
Roland M-400 V-Mixer
Yamaha LS9-16
Yamaha M7CL
Yamaha PM5D RH
MAIN SPEAKERS
d&b audiotechnik C4 Tops
d&b audiotechnik C4 Bottoms
d&b audiotechnik Q7
d&b audiotechnik Q10
EAW JFX200i
EAW JFX260
EAW KF750
EAW KF755
EAW KF850z
EAW LA325
LINE ARRAYS
d&b audiotechnik Q1
EAW KF760
EAW KF761
EAW NTL720
MONITOR SPEAKERS
Clair Bros 12AM
d&b audiotechnik M4
EAW LA212
EAW MicroWedge MW12
EAW SM400
SUBWOOFERS
d&b audiotechnik B2-Sub
d&b audiotechnik Q-Sub
EAW SB250zr
EAW SB600
EAW SB850ir
EAW SB850zr
EAW SB1000
GENERAL USE SPEAKERS
Community R2 Outdoor Speakers
Community R.5 Outdoor Speakers
d&b audiotechnik E8
d&b audiotechnik E12
d&b audiotechnik E0
EAW JF60
EAW JF80 (Black & White)
EAW JF100
EAW JFX200i
EAW JFX260
EAW JFX290
EAW LA212
IN-EAR MONITORS
Sennheiser EW300 G2 IEM System
Sennheiser EK 300 IEM G2 stereo receiver
Sennheiser SR 300 IEM G2 stereo transmitter (518-554 MHz)
Shure PSM 900 IEM System
Shure P9T wireless transmitter
Shure P9R wireless receiver
Shure PSM 600 P6HW Belt Pack
AMPLIFIERS
d&b audiotechnik D6
d&b audiotechnik D12
d&b audiotechnik P1200A
QSC PL 1.0
QSC PL 1.5
QSC PL 1.8
QSC PL 3.4
QSC PL 4.0
QSC PL 6.0
QSC PL 6.0 II
QSC PLX 1602
QSC PL236
QSC PL340
DYNAMIC PROCESSING
Alan Smart Dual Compressor
Aphex 622 Gate
Aphex 720 Dominator II Multiband Limiter
Behringer AutoQuad 4ch Gate
Behringer Composer MDX2100/2000 Compressor/Limiter
Behringer Composer Pro MDX2200 Compressor/Limiter
Behringer Multi-Gate XR4400 Gate
BSS DPR 404 Quad Compressor
BSS DPR 901II Dynamic Equalizer
DBX 160A Compressor
DBX 160X Compressor
DBX 166 Compressor
Drawmer DS201 Gates
Empirical Labs Distresser Compressor
Klark Teknik DN514 4ch Noise Gate
Manley Variable MU Stereo Compressor
Summit DCL200 Compressor/Limiter
Universal Audio 1176 Compressor
EQUALIZATION
Ashly Protea 4.24G
Klark Teknik DN360
Klark Teknik DN3600
White 4660
EFFECTS PROCESSING
Eventide Eclipse
Eventide H3000D
Klark Teknik DN716 Delay
Lexicon PCM 41
Lexicon PCM 60
Lexicon PCM 70
Lexicon PCM 80
Lexicon PCM 90
TC D-Two Delay
TC M-One Reverb
TC M-One XL Reverb
TC M2000
Yamaha Rev 500
Yamaha SPX 900
Yamaha SPX 990
SYSTEM PROCESSING
Ashly Protea 4.24C
Behringer Super X Pro CX2300
BSS FDS-310
BSS FDS-355 Omnidrive
BSS FDS-366T Omnidrive
EAW UX8800
INPUT DEVICES
AKG C391 – These versatile small diaphragm condensers have an extremely flat response, and are common choices for drum overheads, and other acoustic instruments.
AKG C414B-ULS – We have this legendary condenser mic mainly for studio uses. It has gained a reputation over many years of use as an excellent choice for vocals and brass.
AKG D112 – A worthy alternative to the Beta 52, this mic is specifically designed for kick drums, bass cabinets, and other bass heavy instruments.
Audio-Technica 4050 – A large diaphragm condenser with switchable pickup patterns, this mic is a great choice for studio recording.
Audix D6 – A popular kick drum mic with huge low-end.
Audix OM7 – A feedback resistant dynamic vocal mic.
Beyerdynamic Opus-88 – A drum mic with a simple spring clamp.
Countryman E6 – An excellent earset mic, the E6 is perfect for speaking events, plays, or other situations requiring inconspicuous, hands-free amplification.
Countryman Isomax 2 – Discrete instrument perfect for strings, wind, brass, and also for used for micing choirs.
Crown PCC 160 Boundary Microphone
Electro-Voice RE20 – A well known vocal mic for broadcast and recording, the RE20 is as popular mic for instruments and amps as well.
Sennheiser e609 – With its tight pickup pattern and ability to withstand high SPLs, this super-cardioid dynamic microphone is a great choice for guitar cabs and tom drums alike.
Sennheiser e835 – A live sound condenser mic for vocals.
Sennheiser MD 421 – It’s cardioid pattern and five-position bass roll-off makes this large diaphragm dynamic microphone versatile and a great choice for many instruments and vocals, alike.
Sennheiser MKE-2 – This lavalier mic is small and discreet, perfect for interviews, television, or speaking engagements. The MKE-2 also is a great choice for instrument mics for orchestral arrangements.
Shure Beta 52 – With a low end boost for thump, and a high end boost for definition, this mic is ideal for kick drums and other bass-heavy instruments. The Beta 52 is well-known and popular in both live sound and studio.
Shure Beta 56 – This microphone has a frequency response specifically tailored for drums and instruments.
Shure Beta 57 - A newer version of the SM57, this microphone has a tighter pickup pattern, and an extended frequency response.
Shure Beta 58 – A newer version of the SM58, this microphone has a tighter pickup pattern, and an extended frequency response.
Shure Beta 87A – This mic is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability.
Shure Beta 87C – Excellent for touring professionals, the Beta 87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design.
Shure Beta 91 – The Shure Beta 91™ is specifically designed for kick drums and other bass instruments.
Shure Beta 98 – This miniature condenser mic comes with a drum mount making it a convenient and great sounding solution for toms.
Shure KSM32 – This large diaphragm condenser is popular in both the studio, and for live sound events. It has a smooth response that has an open, natural sound.
Shure KSM44 – Similar to the KSM 32, this microphone features switchable pickup patterns and a dual condenser diaphragm.
Shure KSM137 – Mainly used as a studio microphone, this small diaphragm condenser is rugged enough for live sound as well. The extended frequency response makes it a great mic for acoustic instruments with delicate sound. Also commonly used for choral performances.
Shure MX418 Lecturn/Podium mic
Shure SM57 – Similar to an SM58, this mic is designed for use on instruments due to its lack of windscreen.
Shure SM58 – The industry standard vocal mic. The classic SM58 is rugged, simple, and sounds good.
Shure SM81 – This small diaphragm condenser mic has become well known in the live sound and studio recording world for its excellent clarity on acoustic guitar, piano, and cymbals.
Shure SM84 – This lavalier mic has a tight pickup pattern and is designed to be clipped to a speaker’s body allowing for hands-free amplification.
WIRELESS INPUT DEVICES
Shure UHF-R Wireless
Shure UR1 Bodypack Transmitter
Shure UR2 Handheld Transmitter
Shure UR4 Diversity Receivers
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CAPSULES FOR WIRELESS
Shure Beta 58
Shure Beta 87
Shure KSM 9
Shure SM58
AC DISTRIBUTION SYSTEMS
Induit Power Distro (3 phase 100 amp) (L21-30)
Motion Labs Power Distro (3 phase 100 amp) (L21-30)
ANALOGUE "COPPER" SNAKES
Ramtech Ramlatch 300’ 56ch (3 way split)
Whirlwind MASS W3 300’ 40ch (2 way split)
Whirlwind MASS W4 300’ 56ch (3 way split)
Whirlwind MASS W4 300’ 56ch (transformer 3 way split)
Whirlwind-Rapco-Proco 24X8 100’
DIGITAL SNAKES
Roland V-Mixing System 300’ Cat5
VENUE Profile 300’ Coax
RECORDING & PLAYBACK DEVICES
Alesis HD24 Hard Disc Recorder
Microboards CWL-6200 CD Recorder
Tascam CD-RW901SL CD Recorder
Numark MP102 CD Player
Sony CDP-D12 CD Player
Tascam CD 01U Pro CD Player